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Archivo de la etiqueta: japan

Kamuy font By Andinistas

Posted on julio 22, 2012 por Andinistas

Kamuy is a new font designed by Carlos Fabián Camargo and used to write headlines. Its strategy makes it ideal for covers and advertisements with Japanese-style manga comics requiring latin style.
KamuyFontAndinistasdotnet
Precisely its purpose was inspired by typographical classics such as Mistral by R. Excoffon and Zapfino by H. Zapf that then were diluted by separate strokes as blackletter calligraphy.
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However, high doses of miscegenation and lettering untimely torn between 50% esthetic and 50% legibility. That way his radical expression is highly profitable for composing and designing words and phrases with Eastern look.
KamuyFontAndinistasdotnet
And more importantly, the writing seems drawn quickly with thin-tipped brush staining over a rough surface, from that process comes the idea of corroded outlines and changes in contrast.
KamuyFontAndinistasdotnet
In conclusion, some diagonal strokes, horizontal, curved and vertical stand or hide from their simulation of scarcity or abundance of ink clots. That way each stroke seems inconsistent, footprint of the 423 brush drawing glyphs in Regular Kamuy.
KamuyFontAndinistasdotnet
In that sense, the OpenType features included are: Standard Ligatures, Contextual Alternates, discretionary ligatures, swash, stylistic alternates, alternatives for titles, ordinals, fractions. And to end the Variable “Kamuy Dingbats” has is 52 fictitious drawings and zamurais.

Buy Kamuy Font at MyFonts

Andinistas is a type foundry from Colombia/Venezuela founded by Carlos Fabián Camargo in 1998. Day by day, Andinistas’ work is obtained by more and new buyers all around the occidental world.

email: carlosfabiancg@andinistas.net
web: andinistas.net
twitter: @andinistas
facebook: fb.com/andinistas.fonts

Publicado en Fonts | Etiquetado alternates, ancient, antiqued, arrows, bold, book, borders, branding, calligraphic, cartoon, catchwords, condensed, connected, contrast, cursive, decorative, dingbats, display, grunge, hand-drawn, hand-made, handmade, hands, handwriting, headline, heart, high, illustrations, informal, japan, japanese looking font, legible, letters, ligatures, logo, magazine, manga, opentype, original, ornaments, poster, script, signature, swash, swashes, tattoo, unique
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  • #BlackFriday Is Here! $75% OFF #myfonts Acústica & CoffeeBreak, perfect fonts for creative designs. Link in my bio.
  • #raffle Would you like to win 1 of the 7 family Packages of the new fontfamily Bleak? Next Sunday, December 1, 2019 we will raffle 7 licenses, each pack contains 10 fonts valued at $ 59.00. What do you have to do to participate?
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1. Follow me on Instagram
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2. Like this post.
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3. Tag three friends in this post.
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4. Write comments in this post.
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5. Share this post in #instagramhistory and increase your chances of winning.
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Good Luck!
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SORTEO. ¿Te gustaría ganar 1 de los 7 paquetes de mi nueva fuente tipográfica Bleak? El próximo domingo 1 de diciembre de 2019 sortearemos 7 licencias, cada paquete contiene 10 fuentes valoradas en 59 USD. ¿Qué tienes que hacer para participar?
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1. Sígueme en Instagram .
2. Dale like a este post.
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3. Etiqueta a tres amigos en este post.
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4. Escribe comentarios en este post.
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5. Comparte en este post en tu historia #instagramhistory y aumenta tus posibilidades de ganar.
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¡Buena suerte! #goodtype #letteringdaily #graphicdesigner #newfonts
  • https://bre.is/5svVrjV2 ★ @andinistas presents Bleak , an experimental font designed by #carlosfabiancg. Bleak is based on the imaginative use of contrast applied in the empty space and on the dramatic distributions of the wide and compressed horizontal of more than 400 textured symmetric capitals inspired by compositions of the Lissitzky, Theo van Doesburg, among others. In the Europe of the 20s, scarce resources prevailed, which gave these great artists the firm determination and dedication to create a visual vocabulary, characteristic of the composition with movable types of wood and metal. As they did not readily dispose of the forms of the letters they required, they did not hesitate to construct them with metal rulers, ornaments and other improvised pieces and remains and obtained in the forgotten corners of the typographic composition workshop.

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